UCAN needs your support
You are why we do what we do - report, describe, comment, review. It is to bring to your eyes just what life is like for believers across Asia that we publish UCAN.
But as you know, the effort needs to be sustained if it is to have continuing effect.
UCAN publishes some 150 stories a week in four languages across six websites. We are grateful to benefactors in Europe and the US who support us. But those countries and the Church there are under increasing financial strain and their generosity no longer covers our costs.
We need financial help from our readers to sustain our efforts. Our reporters, editors, video producers and photographers all have families and we need to support them. They do excellent jobs, but they can't do their jobs for nothing.
Will you help us to sustain UCAN? Please click here to help.
Thanks in anticipation.
Fr. Michael Kelly SJ
Meet Cardinal Ravasi, "the most interesting man in the Church"
His popularity has grown so much, there is a two-year waiting list to book him for speaking engagements.
- Kamila Kocialkowska
- Vatican City
- November 26, 2012
Catholicism, like all religions, inspires certain stereotypes. In this case, it’s fair to say that “progressively modern” isn’t one of them. But could this be about to change?
Consider the unlikely Cardinal Gianfranco Ravasi. A senior Vatican official who is so popular there is currently a two-year waiting list to get him confirmed at a conference. He, amongst other things, criticises priests for their "boring" and "irrelevant" sermons. He encourages them to use Twitter. He quotes Nietzsche. He advocates Darwinian theory. He likes cutting-edge contemporary art. He blogs, jokes and – incidentally – is one of the most likely contenders to become the next Pope. Could this perhaps be the most interesting man in the Catholic church?
Cardinal Ravasi, a former professor and archaeological scholar, has been ordained for 46 years and was, in 2007, appointed as President of the Pontifical Council for Culture. In this role, he is effectively the director of the church’s policy on art. One of the most interesting aspects of this the undeniably intriguing clergyman is his genuine eagerness for the church to re-engage with contemporary art in a meaningful way.
The director of the Venice Bienale, Paolo Barrata, announced recently that the Vatican will be participating at the next event, in 2013, with its own pavilion. In terms of signalling a new direction in Catholic cultural policy, this is a bold move; after all, when the Biennale was inaugurated, the church dismissed it as a "debacle". The pavilion will put a papal presence at the centre of the most controversial and prestigious art event in the world, an art event which makes aesthetic contemplation of, amongst other things; prostitution, violence, bodily fluids and painted pigeons.
"We are trying to get a dialogue up and running between the church and contemporary art – particularly artists at the highest level,” explained Ravasi. “We are looking for world-famous people. Venice is a showcase for all the big countries in the world and the Holy See would like to be there too. We're trying to get the best of international artists on our side who can create new works with a religious or spiritual subject."
Some may dismiss these statements as the buzzwords of a PR man, but the decision to exhibit at Venice should prove them wrong. The work on show here is far from populist, and Ravasi’s approach to it proves that he understands his task and is taking it seriously. His choice of words is significant – he wants to initiate a "dialogue". Not didactics and disapproval, not preaching and polemics – but a reciprocal conversation based on mutual respect.
Full Story: The cardinal of culture
Source: New Statesman