UCAN needs your support
You are why we do what we do - report, describe, comment, review. It is to bring to your eyes just what life is like for believers across Asia that we publish UCAN.
But as you know, the effort needs to be sustained if it is to have continuing effect.
UCAN publishes some 150 stories a week in four languages across six websites. We are grateful to benefactors in Europe and the US who support us. But those countries and the Church there are under increasing financial strain and their generosity no longer covers our costs.
We need financial help from our readers to sustain our efforts. Our reporters, editors, video producers and photographers all have families and we need to support them. They do excellent jobs, but they can't do their jobs for nothing.
Will you help us to sustain UCAN? Please click here to help.
Thanks in anticipation.
Fr. Michael Kelly SJ
Ancient holy grotto perfectly recreated by 3-D technology
Virtual reality may be the solution for the ever growing problem of sacred sites being damaged by mass tourism.
- Katie Hunt
- Hong Kong
- January 17, 2013
A darkened room in a Hong Kong university building is an unlikely portal into an ancient world.
But with the touch of an iPad Mini, the space is digitally transformed into a 1,500-year-old Buddhist grotto. Its walls decorated with exquisite but faded paintings of enlightened beings, dancers and musicians.
Another swipe and a pair of 3-D glasses brings the cave to life.
Vivid pigments show how the cave must have looked when the paint first dried and animation and magnification reveal the tiniest of details.
"We can turn up all the lights, we can also fly up to the ceiling," says artist and academic Jeffrey Shaw, as he controls the virtual environment.
Shaw, an Australian, co-leads a team at the School of Creative Media at Hong Kong's City University, which has pioneered the immersive digital technology -- harnessing advances in cinema, computer games and virtual reality.
They believe the techniques developed will help preserve key heritage sites in Asia before they are irrevocably damaged by the onslaught of mass tourism.
"The primary concern is how to maintain the integrity of these caves for posterity," Shaw says.
The team has worked on similar projects for Angkor Wat in Cambodia and Hampi in India but say this is the most ambitious in scope.
The cave featured in the prototype is part of a larger complex located thousands of miles north of Hong Kong in the Chinese city of Dunhuang, once a Silk Road oasis and now a Unesco world heritage site.
For almost two thousand years, the Mogao Grottoes, as the caves are known, withstood marauding barbarian hoards, earthquakes and the Gobi Desert's shifting sand dunes.
Today, the caves and their frescoes face a different and perhaps more potent threat -- how to manage the increasing number of tourists that come to see caves.
Some 680,000 tourists visited in 2011 and that number was exceeded by at least 100,000 last year.
But the steep rise in visitors over the past decade has raised the level of humidity and carbon dioxide inside the caves, undermining conservation efforts.
The grotto depicted by the team at City University is already closed to tourists and only 70 of the 492 decorated caves are open to the public.
The pressures brought by the surge in visitors at Dunhuang are shared by many heritage sites across China and Asia, as the region's newly affluent middle class begin to travel in greater numbers.
Wang Xudong, the vice director of the Dunhuang Academy, which is responsible for looking after the caves, says the optimum capacity for the Mogao Grottoes is 3,000 people a day.
However, on October 2, during China's week-long national day break, more than 18,000 tourists visited the site.
Plans are underway to limit visitor numbers through an online reservation system but Wang says that the use of digital tools to capture the caves before any further deterioration is a priority.
A 50-strong team is documenting the site through extensive high-resolution photography and 3-D laser scanning.
Each cave takes three months to document and the project is thought to be unparallelled in scale compared to similar efforts at other heritage sites.
A new visitor center is due at the end of 2013 that will have a feature film theater and a 3-D reproduction of the original caves.